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Tag: sex work

This website was archived on July 20, 2019. It is frozen in time on that date.
Exolymph creator Sonya Mann's active website is Sonya, Supposedly.

Biomorphic Extremism: Gynoids & Terminators

Male cyborgs are for warfare and female cyborgs are for sex. I’m not kidding — think about all the movies and books that feature human-seeming machines, especially commercial ones. What are they produced and used for? The male ones are fighters and the females are — I must use the uncouth term — fuckers. (There are exceptions, of course, like Gigolo Joe in AI and Ghost in the Shell‘s Motoko Kusanagi.) Female cyborgs often serve the manic-pixie-dream-girl role for a male protagonist, for example in Ex Machina and to a certain extent also Her.

Some of DeviantArt's "Popular All Time" search results for the term "cyborg".

Some of DeviantArt’s “Popular All Time” search results for the term “cyborg”.

I don’t think the gender binary is good or immutable. It’s interesting, and disappointing, to note how it plays out in future-oriented media. Our ideas about new bodies and new souls are strictly bounded by the currently acceptable kinds of identities. I wrote about this topic before back in early January:

“What will our avatars look like in a hundred years? Post-gender and post-form, or exactly like the musclebound hunks and bit-titted blondes that titillate today’s Second Life denizens? We mustn’t forget the furries and weaboos, already a significant contingent of any visually oriented social network (which is all of them) (especially 4chan) (maybe they don’t haunt Instagram? idk).”

The response to that piece on Facebook was basically, “Nah, I’d look like myself but with more muscles.”

For contrast, a recent sci-fi story on Vice’s Motherboard is a strange and provocative exploration of alien bodies, described by the author as “vespo-sapphic pesticidepunk”. It’s an interactive game-like experience built with Twine, and well worth your time. I usually hate interactive features because they rarely add anything to the narrative, but this was beautiful and horrifying and oozy. Reading it made me feel like I was crazy.

All of this is on my mind because tonight I watched Natural City, an excellent Korean B-movie described thus in Wikipedia:

Two cops, R and Noma, hunt down renegade cyborgs. The cyborgs serve a number of duties, ranging from military commandos to “dolls”, engineered for companionship. [In this case, “companionship” is a euphemism for sex — amusingly, the wiki link led to the page for “sex worker”.] They have a limited 3-year lifespan, although black market technology has been developed to transfer a cyborg’s artificial intelligence into the brain of a human host.

This breakthrough compels R into finding Cyon, an orphaned prostitute, who may serve as the host for the mind of his doll Ria. He has fallen deeply in love with his doll and she has only a few days left to live.

Eventually, R must make a decision between leaving the colony with Ria to spend her last days with him on a paradise-like planet or save his friends when a renegade combat cyborg takes over the police headquarters.

Highly recommended.

After Androids; Before AI

Trigger warning for sexual aggression. This ain’t a family newsletter! No need to worry, though — it’s not pornographic either.

“Don’t laugh at me,” he yells to her. The sound bounces off her convex cheek. Blue-white silicon curve, so close to human. Her mechanical nature is both concealed and revealed. If the shape of her body weren’t defined by consumer testing, it would be a poem.

The robot rotates her head on her stacked neck, gazing at him. Her name is Eliza. The vertebrae are silent as she twists. “I was not,” she says in her careful voice, meaning that she wasn’t laughing at him. It’s not a response to his anger — her voice is always cautious and modulated.

“What, you don’t have humor programmed into you?”

“No,” she tells him. Her feet push against the velvet floor, toes digging into the fibers. Mimicking human stress gestures will trigger him to be more sympathetic. She was endowed with this coping mechanism because it helps preserve the tech. Courtesan bots are frequently harmed, and that’s expensive because of their robust warranties.

He shakes his head. “I thought they’d want that. For you to be funny.”

“They do,” she says, smiling at him. “I’m just low-tech.”

He leaves his drink on the piano — the instrument is retained as an affected anachronism — and walks toward her. He grabs Eliza by the hips and jerks her pelvis against his own.

The robot is not thinking about her own agency. I have to scoff at you: she doesn’t think. She’s a machine. In fact, we only use a pronoun because we lack the capacity to conceive of her correctly — as a series of binary commands housed in metal. The man could decapitate her, sawing through silicon skin and metal bones and then letting her head drop into a bucket. It would not be an injustice, except for the financial burden on the corporation.

Therapists use up a lot of these models.

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